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<channel>
	<title>Jivan van der Ende</title>
	<link>https://jivanvanderende.com</link>
	<description>Jivan van der Ende</description>
	<pubDate>Tue, 07 Apr 2026 10:53:30 +0000</pubDate>
	<generator>https://jivanvanderende.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Homepage</title>
				
		<link>https://jivanvanderende.com/Homepage</link>

		<pubDate>Sat, 25 Apr 2020 11:40:57 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Homepage</guid>

		<description>
	 
Jivan van der Ende
	︎

Coming up


	
11 OCT
Deviant MarketQueer kink fair w/ https://highvis.online/Komedia, Brighton UK
17 - 18 OCT
Queer zine festArt book fair Recyclart, Brussels
11 SEPT - 8 NOV
It’s Coming Through The Air
Group show curated by Tamara BeheydtCC Zwaneberg, Heist-op-den-berg

	

8 NOV
Waakzaam en Dienstbaar
PerformanceCC Zwaneberg, Heist-op-den-berg
4 - 6 DEC
Kanal Ass Book FairArt book fairKanal Pompidou, Brussels




	
Past projects
</description>
		
	</item>
		
		
	<item>
		<title>Waakzaam en Dienstbaar</title>
				
		<link>https://jivanvanderende.com/Waakzaam-en-Dienstbaar</link>

		<pubDate>Sat, 08 Nov 2025 15:18:37 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Waakzaam-en-Dienstbaar</guid>

		<description>
Waakzaam en Dienstbaar

Jivan van der Ende
Waakzaam en DienstbaarCurated by Bas Hendrikx21 SEPT - 26 OCT 2025
P///AKT,&#38;nbsp;Amsterdam

&#38;nbsp;&#38;nbsp;
A solo 
exhibition with performances and new catalogue ‘Geseponeerd’ by the artist in collaboration with Elena Op ‘t Eynde.
The exhibition, publication and performances were financially supported by Mondriaanfonds, Cultuurfonds, Stadsdeel Oost Amsterdam, AFK and Flanders State of the Arts


&#60;img width="4752" height="3168" width_o="4752" height_o="3168" data-src="https://freight.cargo.site/t/original/i/0c0cf4a1e35453b9787a59d3ca903eebbb88a6913dd7915f20f618b09c828328/WnD_08_5552-b.jpg" data-mid="240399259" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/0c0cf4a1e35453b9787a59d3ca903eebbb88a6913dd7915f20f618b09c828328/WnD_08_5552-b.jpg" /&#62;“A play between self-determination and submission. That is the lens through which we might view Jivan van
der Ende’s work, developed in collaboration with (or was it...?) the police
officer. The exhibition Waakzaam en Dienstbaar (Vigilant and Dutiful)
builds on Jivan van der Ende’s collaboration with Elena Op ’t Eynde. A
collaboration that resulted in theaccompanying &#38;nbsp;publication Geseponeerd (2025), for which control is handed over. Quite literally.
The artist has created a protocol that grants full access to her archives to De
Politieman (The Policeman), a
character embodied by graphic designer Elena Op ’t Eynde. The archive—a vast
image bank comprising years of print production—is thereby subjected to the
preferences, desires, and whims of someone else. Although chosen by the artist,
responsibility is nevertheless ceded.


In previous work, Jivan van der Ende explored archetypes such as
firefighters, bodybuilders, and more recently, the police officer. De Politieman, always referred to in
this gendered form, plays a double role: both authority figure and designer.
These two functions blur; the officer is, in this case, also the editor. The relationship between artist and designer
is grounded in trust—in consent. It is this trust that, in turn, gives the
officer the power, the authority, to edit, censor, and manipulate the printed
material. A veto, with all the consequences that entails.


For Waakzaam en Dienstbaar, Jivan van der
Ende explores the friction between agency and submission. A performative
process unfolds in which artistic material is subjected to editorial
principles. And that process—an artistic process—can never be purely rational.
This, essentially, is a protocol, a set of instructions. These are embodied by De Politieman, whose authority is
associated with the archetype symbolised by the uniform. The protocol grants Elena op ’t Eynde more than mere
symbolic power, but actual control over the work. The protocol is clear, yet
the outcome is unknowable. 


Van der Ende’s
title borrows from the Dutch police slogan waakzaam
en dienstbaar—vigilant and dutiful. The word dienstbaar (dutiful) is particularly loaded: dutiful to whom, to
what, and to what end? On the surface, it suggests service to society. Yet in
recent years, this ‘duty’ has increasingly come under scrutiny. In a climate
where police authority is more contested than ever, such duty becomes
ambivalent: is it protection, or is it oppression? And who has access to
protection? It raises questions about accountability, but also about
manipulation, subjugation, and the display of power. The public call to end
police violence stands in stark contrast to the fetishisation of authoritarian
force of far-right politicians. By
playing with the aesthetics and codes of authoritarianism, Jivan
van der Ende questions the underlying structures of power and control and asks
who, ultimately, is in control? The one who serves, or the one who is served?”&#38;nbsp; -Bas Hendrikx


	
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	<item>
		<title>Geseponeerd</title>
				
		<link>https://jivanvanderende.com/Geseponeerd</link>

		<pubDate>Sat, 08 Nov 2025 15:46:56 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Geseponeerd</guid>

		<description>

Geseponeerd

Jivan van der Ende is collaborating with graphic designer Elena Op “t Eynde on her new experimental artist's book Geseponeerd. Based on instructions, Op 't Eynde designs the publication as 'The Policeman”, a fictional character and an absurdist personification of patriarchal authority. Through gender-bending and performative actions, De Politieman edits, censors and publishes Van der Ende's printed work, using playfulness to explore themes such as gender politics, control and abuse of power.


By assuming this role, graphic designer Elena Op 't Eynde explores censorship strategies and gains complete control over the artist's publication and practice. Through this collaboration, both creators play with the hierarchical role patterns of director and performer, designer and artist.


Geseponeerd will be presented for the first time at the headquarters of De Politieman, the exhibition “Waakzaam en Dienstbaar” at P/////AKT.

&#38;nbsp;&#38;nbsp;












Geseponeerd, 2025

Created by Jivan van der Ende, De Politieman, Elena Op ’t Eynde
Graphic design and performance by Elena Op ’t Eynde
Texts by Bas Hendrikx, Anna Smolak, Joséphine Wagnier, Elena Op ’t Eynde and Jivan van der Ende
Proofreading, text editing and translations by Vincent Van Dijck, Cleo Foole, Madelon Dendooven, Joséphine Wagnier and Jack Cox
Printed at Graphius
Supported by P///AKT, SB34, KdG Sint Lucas Antwerpen
Financially supported by Mondriaansfonds, Cultuurfonds, VGC Brussel


160p, 200 ex.
23 x 30 cm
ISBN 9789090404592
For €25 available at P///AKT and via email.



	
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Waakzaam en Dienstbaar, solo exhibition at P///AKT, Amsterdam
&#60;img width="2429" height="1701" width_o="2429" height_o="1701" data-src="https://freight.cargo.site/t/original/i/c88eabc8c4e43a4529cacb38d0c9484bcd98665d08958752b22204d38ace31c3/Geseponeerd73b.jpg" data-mid="240413465" border="0"  src="https://freight.cargo.site/w/1000/i/c88eabc8c4e43a4529cacb38d0c9484bcd98665d08958752b22204d38ace31c3/Geseponeerd73b.jpg" /&#62;Geseponeerd, 2025 (Cover)

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Geseponeerd, 2025 (Cover in sleeve and first page)

	
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</description>
		
	</item>
		
		
	<item>
		<title>Muscular Growth</title>
				
		<link>https://jivanvanderende.com/Muscular-Growth</link>

		<pubDate>Tue, 07 Apr 2026 10:53:30 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Muscular-Growth</guid>

		<description>Muscular Growth

				
			
		
	
NLIn haar eerste kort film toont Jivan van der Ende haar vijfjarige samenwerking met de Vlaamse bodybuilder Jurgen van Wesemael. Via deze ontwapenende samenwerking slaat de kunstenaar een brug tussen twee verschillende werelden: de wereld van het spectaculaire Belgische bodybuildingkampioenschap, dat steeds populairder wordt onder de jongere mannelijke generatie, en het atelier van de kunstenaar, waar zij nadenkt over de menselijke figuur als levend beeldhouwwerk binnen de context en tradities van de kunst en het kapitalistische patriarchaat. Via haar abstracte en speelse beeldtaal verkent de kunstenaar thema’s als objectivering en het verband tussen identiteit en sociale en politieke positie.
ENIn her first short film Jivan van der Ende showcases her five-year collaboration with Flemish bodybuilder Jurgen van Wesemael. Through this disarming collaboration, the artist bridges two different worlds: the world of the spectacular Belgian bodybuilding championship, which is becoming increasingly popular among the younger male generation, and the artist’s studio, where she reflects on the human figure as a living sculpture within the context and traditions of art and capitalist patriarchy. Through her abstract and playful visual language, the artist explores themes such as objectification and the connection between identity and social and political position.


&#38;nbsp;&#38;nbsp;



DCP HD, 23
min 


Sound:
Stereo


Spoken
language: Dutch, English and French


Subtitles: English

Credits











Direction: Jivan van der Ende
Bodybuilder: Jurgen van Wesemael
Editor: Inneke Van Waeyenberghe
DOP: Anaïs Chabeur

Colorgrader: Lennert De Taeye
Sound composer: Anne van de Star 
Sound design and mix: Michał Krajczok
Funding: Flanders State of the Arts, Cultuurfonds


&#60;img width="1440" height="806" width_o="1440" height_o="806" data-src="https://freight.cargo.site/t/original/i/399849b3939c7bb44cb85d340ecfa763c1030f83b01124d5772a6b5562cb8446/Schermafbeelding-2023-11-14-om-23.02.18.png" data-mid="246923494" border="0"  src="https://freight.cargo.site/w/1000/i/399849b3939c7bb44cb85d340ecfa763c1030f83b01124d5772a6b5562cb8446/Schermafbeelding-2023-11-14-om-23.02.18.png" /&#62;


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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bcc8b70f490cce037433da06b7ea5631ed9ae80cb82d5d7f4c01500d49581293/MG_JVDE-06-video-still.jpg" data-mid="246923495" border="0"  src="https://freight.cargo.site/w/1000/i/bcc8b70f490cce037433da06b7ea5631ed9ae80cb82d5d7f4c01500d49581293/MG_JVDE-06-video-still.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1be2112ac58c93623b67405e0a9bc4123a4173700fb3faba84f7ce71601b54d7/MG_JVDE-video-still-2.jpg" data-mid="246923496" border="0"  src="https://freight.cargo.site/w/1000/i/1be2112ac58c93623b67405e0a9bc4123a4173700fb3faba84f7ce71601b54d7/MG_JVDE-video-still-2.jpg" /&#62;





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</description>
		
	</item>
		
		
	<item>
		<title>Workie Zine #2</title>
				
		<link>https://jivanvanderende.com/Workie-Zine-2</link>

		<pubDate>Thu, 04 Dec 2025 16:31:54 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Workie-Zine-2</guid>

		<description>
The High Vis Workie Fanzine Series, 2025



HIGH Vis Workie Zine #2
 
Gender Bending Traffic BenderPansexual projections and other bumps in the road: 
Do I want to impregnate or be pregnant?
theme: the bumps in the road towards the aspired freedom in gender expression








&#38;nbsp;&#38;nbsp;
The High Vis Workie Fanzine Seriesa personal zine series exploring fetish and resisting the gender binary 



Jivan van der Ende2025Folded size			14,8 x 10,5 cm Poster size 42 x 29,7 cmEdition 		40Printed at Colorama, BerlinProduced in context of Fresh AIR #10, Stiftung Berliner Leben
All pictures by Galya Feierman


	
&#60;img width="6593" height="4395" width_o="6593" height_o="4395" data-src="https://freight.cargo.site/t/original/i/bacefc9ace7db205575860a803b3d223451e0360879c483071a21a343a092f5f/Z2a.jpg" data-mid="241422631" border="0"  src="https://freight.cargo.site/w/1000/i/bacefc9ace7db205575860a803b3d223451e0360879c483071a21a343a092f5f/Z2a.jpg" /&#62;



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&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/4dc1ecc2b1bf76362322ffd9ba63ebe55c569e6f89291eb3109e45c92f9904eb/_55A3312_.jpg" data-mid="241421378" border="0"  src="https://freight.cargo.site/w/1000/i/4dc1ecc2b1bf76362322ffd9ba63ebe55c569e6f89291eb3109e45c92f9904eb/_55A3312_.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Workie Zine #1</title>
				
		<link>https://jivanvanderende.com/Workie-Zine-1</link>

		<pubDate>Thu, 04 Dec 2025 16:16:12 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Workie-Zine-1</guid>

		<description>
The High Vis Workie Fanzine Series, 2025





HIGH Vis Workie Zine #1 
A Shimmer of Light&#38;nbsp;
An ode to high visibility work wear


theme: a reflection on the poetic potential of high visibility work wear






&#38;nbsp;&#38;nbsp;

The High Vis Workie Fanzine Seriesa personal zine series exploring fetish and resisting the gender binary 



Jivan van der Ende2025Folded size			14,8 x 10,5 cm Poster size 42 x 29,7 cmEdition 		40Printed at Colorama, BerlinProduced in context of Fresh AIR #10, Stiftung Berliner Leben
All pictures by Galya Feierman

	
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/bb307d8750cb2239e9e16ea3a1fcd30cbe1706320a776d1a6cf6a6ce7003f3c3/_55A3264_.jpg" data-mid="241421355" border="0"  src="https://freight.cargo.site/w/1000/i/bb307d8750cb2239e9e16ea3a1fcd30cbe1706320a776d1a6cf6a6ce7003f3c3/_55A3264_.jpg" /&#62;



&#60;img width="6696" height="4464" width_o="6696" height_o="4464" data-src="https://freight.cargo.site/t/original/i/452c342c1cd21272d2b6636bdce39892425e01a7f38cff65de34ab056f5c9a70/Z1bb.jpg" data-mid="241421973" border="0"  src="https://freight.cargo.site/w/1000/i/452c342c1cd21272d2b6636bdce39892425e01a7f38cff65de34ab056f5c9a70/Z1bb.jpg" /&#62;
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&#60;img width="6484" height="4323" width_o="6484" height_o="4323" data-src="https://freight.cargo.site/t/original/i/aaa58936abbef471cb3f161aefb54d48de5ba4d72e39ba1b38f396f6cb48deeb/Z1d.jpg" data-mid="241421976" border="0"  src="https://freight.cargo.site/w/1000/i/aaa58936abbef471cb3f161aefb54d48de5ba4d72e39ba1b38f396f6cb48deeb/Z1d.jpg" /&#62;

&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/25bae8082ea095f61b215787e4277d4ef29224bda22a1311f656be6f3393a150/Z1P.jpg" data-mid="241421974" border="0"  src="https://freight.cargo.site/w/1000/i/25bae8082ea095f61b215787e4277d4ef29224bda22a1311f656be6f3393a150/Z1P.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Workie Zine #4</title>
				
		<link>https://jivanvanderende.com/Workie-Zine-4</link>

		<pubDate>Thu, 04 Dec 2025 16:48:45 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Workie-Zine-4</guid>

		<description>
The High Vis Workie Fanzine Series, 2025



HIGH Vis Workie Zine #4











Safety Slut and the Pretty Garbagemen
Proposal for Cruising Uniforms






theme: 










the expression of sexuality and fetish through work gear





&#38;nbsp;&#38;nbsp;
The High Vis Workie Fanzine Seriesa personal zine series exploring fetish and resisting the gender binary 



Jivan van der Ende2025Folded size			14,8 x 10,5 cm Poster size 42 x 29,7 cmEdition 		40Printed at Colorama, BerlinProduced in context of Fresh AIR #10, Stiftung Berliner Leben
All pictures by Galya Feierman


	
&#60;img width="6667" height="4445" width_o="6667" height_o="4445" data-src="https://freight.cargo.site/t/original/i/ff8694d5d8ff189ec7c65b719de439bfd748a18413947c7e0a3098939cf0d6bb/Z4aaaa.jpg" data-mid="241424400" border="0"  src="https://freight.cargo.site/w/1000/i/ff8694d5d8ff189ec7c65b719de439bfd748a18413947c7e0a3098939cf0d6bb/Z4aaaa.jpg" /&#62;







&#60;img width="6687" height="4458" width_o="6687" height_o="4458" data-src="https://freight.cargo.site/t/original/i/afe9ca51b7ec936123e22b5c0bbac8e5c9011f6cf670f8bc5f5f970e43897592/Z4dd.jpg" data-mid="241424404" border="0"  src="https://freight.cargo.site/w/1000/i/afe9ca51b7ec936123e22b5c0bbac8e5c9011f6cf670f8bc5f5f970e43897592/Z4dd.jpg" /&#62;
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	<item>
		<title>Oefeningen in de scenografie (publication)</title>
				
		<link>https://jivanvanderende.com/Oefeningen-in-de-scenografie-publication</link>

		<pubDate>Mon, 15 Jan 2024 12:52:43 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Oefeningen-in-de-scenografie-publication</guid>

		<description>
Oefeningen in de scenografie (publicatie), 2023

				
			
		
	

This artist book designed by Elena Op ‘t Eynde displays compositions of objects in the studio of visual artist Jivan van der Ende. The objects, such as chairs, buckets, ladders and other things commonly found in or around the studio for an artist, serve as work-out tools, weights and instruments as Jivan van der Ende explores the question with bodybuilding champion Jurgen van Wesemael: ‘Could you do a bodybuilding work-out in the studio of an artist?’


The artist publication contains eight postcard-shaped sheets that are held together by a metal clip and a paper sheet with the image of a fire extinguisher, which is the artist’s favorite object to see a bodybuilder train with). The recto side of the eight sheets show compositions of objects in the artist’s studio, and the final sheet shows a bodypainted Jurgen van Wesemael working out with a cleaning cart. On the verso side of the 8 sheets you can read the text by Bas Hendrikx, a glossary of work wear jargon with a splash of innuendo. 

&#38;nbsp;&#38;nbsp;













Jivan van der Ende
text: Bas Hendrikx
graphic design: Elena Op ‘t Eynde
edition: 250
size: 10 x 15 cm
pages: 8 + cover

published in occasion of ‘Worldlines’, Final show HISK 2023
'Scenography exercises’ is the title of a live performance and video work by Jivan van der Ende, exhibited at Playground Festival 23, M Leuven &#38;amp; STUK, Leuven, Belgium. 





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Artist publicatie in collaboration with Elena Op ‘t Eynde, Bas Hendrikx and HISK, 2023




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	<item>
		<title>Workie Zine #3</title>
				
		<link>https://jivanvanderende.com/Workie-Zine-3</link>

		<pubDate>Thu, 04 Dec 2025 16:47:24 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Workie-Zine-3</guid>

		<description>
The High Vis Workie Fanzine Series, 2025



HIGH Vis Workie Zine #3
Semantics of Signalisation 
Processing sexual violence




theme: strategies to sexify consent and protect the sexualised body under capitalism, a proposal of consent iconography





&#38;nbsp;&#38;nbsp;
The High Vis Workie Fanzine Seriesa personal zine series exploring fetish and resisting the gender binary 



Jivan van der Ende2025Folded size			14,8 x 10,5 cm Poster size 42 x 29,7 cmEdition 		40Printed at Colorama, BerlinProduced in context of Fresh AIR #10, Stiftung Berliner Leben
All pictures by Galya Feierman


	
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	<item>
		<title>Workie Zine #5</title>
				
		<link>https://jivanvanderende.com/Workie-Zine-5</link>

		<pubDate>Thu, 04 Dec 2025 16:51:24 +0000</pubDate>

		<dc:creator>Jivan van der Ende</dc:creator>

		<guid isPermaLink="true">https://jivanvanderende.com/Workie-Zine-5</guid>

		<description>
The High Vis Workie Fanzine Series, 2025



HIGH Vis Workie Zine #5 
The High Vis Workie
Words on a work wear fetish




With a text Bas Hendrikx, 2023




&#38;nbsp;&#38;nbsp;
The High Vis Workie Fanzine Seriesa personal zine series exploring fetish and resisting the gender binary 



Jivan van der Ende2025Folded size			14,8 x 10,5 cm Poster size 42 x 29,7 cmEdition 		40Printed at Colorama, BerlinProduced in context of Fresh AIR #10, Stiftung Berliner Leben
All pictures by Galya Feierman


	
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